Recordings

BACH ABEL HUME
For her first solo-violoncello album on ECM’s New Series, Anja Lechner devotes herself to a particularly unique convergence of three composers from vastly different contexts: JS Bach, Carl Friedrich Abel and Tobias Hume. In the past, her extensive discography has captured the cellist as part of the renowned Rosamunde Quartett, as well as alongside seminal artists from both trans-idiomatic sound worlds and the realm of classical music, gracing her with rare musical farsightedness. With her distinct perspective on works composed for both violoncello and viola da gamba, Lechner sheds a fresh light on music written within a span of two centuries. Framing the first two solo suites from the famous group of six Bach wrote for the violoncello at its heart, the programme encompasses Abel and Hume compositions, originally conceived for viola da gamba, which are given new colour and breadth through Lechner’s interpretation on cello – In parts newly arranged by herself. And at the end, as Kristina Maidt-Zinke notes in the album-accompanying liner notes, “one marvels at the lightness and inner logic with which three worlds have ever so gently touched one another”. The album was recorded at the Himmelfahrtskirche in Munich and produced by Manfred Eicher.
Lontano
Die Nacht
Quasi parlando
Hieroglyphen der Nacht
Nuit blanche
Tarkovsky Quartet
Nostalghia
Ojos Negros
Navidad de los Andes
El Encuentro
Kultrum
Chants, Hymns and Dances
leggiero, pesante
Mirror
Il Pergolese
Melos
Her First Dance
Night
Rosamunde Quartett
The Seven Words
String Quartets – Tigran Mansurian
IXXU
Notturno
Song of Songs
Beyond The Borders
Music for the Film
La notte

Moderato cantabile

Anja Lechner / François Couturier

After a decade of shared work in the Tarkovsky Quartet and an ongoing alliance in the Pergolesi Project (with singer Maria Pia De Vito), German cellist Anja Lechner and French pianist Franҫois Couturier unveil their new duo. The players approach the music from different vantage points: Lechner is a classical soloist with an uncommon interest in improvisation, Couturier a jazz musician travelling ever further from jazz. On Moderato cantabile they present their own arrangements of works by three fascinating outsiders from the margins of music history – G.I. Gurdjieff, Komitas, and Federico Mompou. To differing degree their music reveals influences from the east, both in terms of relationship to folk traditions and religious music, and philosophically. A contemplative air pervades the session. The programme has connections to Anja Lechner’s acclaimed account of Gurdjieff’s music on the earlier Chants, Hymns and Dances (with Vassilis Tsabropoulos), but the new duo has its own identity, and time spent in Armenia has deepened Lechner’s understanding of the contexts from which the music emerged: her cello assumes almost a singer’s role in these pieces, exploring the strong melodies. Franҫois Couturier’s compositions function as both contrasting and complementary elements. As a player, Franҫois has a long history of working with Mompou’s music. He has been influenced, furthermore, by his association with Anouar Brahem, and the sonorities of the Middle East are part of his palette. Moderato cantabile, a striking and unusual album, was recorded in the rich acoustics of the Lugano studio in November 2013 and produced by Manfred Eicher.