Recordings

BACH ABEL HUME
For her first solo-violoncello album on ECM’s New Series, Anja Lechner devotes herself to a particularly unique convergence of three composers from vastly different contexts: JS Bach, Carl Friedrich Abel and Tobias Hume. In the past, her extensive discography has captured the cellist as part of the renowned Rosamunde Quartett, as well as alongside seminal artists from both trans-idiomatic sound worlds and the realm of classical music, gracing her with rare musical farsightedness. With her distinct perspective on works composed for both violoncello and viola da gamba, Lechner sheds a fresh light on music written within a span of two centuries. Framing the first two solo suites from the famous group of six Bach wrote for the violoncello at its heart, the programme encompasses Abel and Hume compositions, originally conceived for viola da gamba, which are given new colour and breadth through Lechner’s interpretation on cello – In parts newly arranged by herself. And at the end, as Kristina Maidt-Zinke notes in the album-accompanying liner notes, “one marvels at the lightness and inner logic with which three worlds have ever so gently touched one another”. The album was recorded at the Himmelfahrtskirche in Munich and produced by Manfred Eicher.
Lontano
Quasi parlando
Hieroglyphen der Nacht
Nuit blanche
Tarkovsky Quartet
Nostalghia
Ojos Negros
Navidad de los Andes
El Encuentro
Kultrum
Moderato cantabile
Chants, Hymns and Dances
leggiero, pesante
Mirror
Il Pergolese
Melos
Her First Dance
Night
Rosamunde Quartett
The Seven Words
String Quartets – Tigran Mansurian
IXXU
Notturno
Song of Songs
Beyond The Borders
Music for the Film
La notte

Die Nacht

Franz Schubert - Anja Lechner / Pablo Márquez

German cellist Anja Lechner and Argentinean guitarist Pablo Márquez met in 2003 and have since explored the most diverse repertoire and modes of expression in their concerts. For their first duo album, a conceptual context is provided by the strong tradition of songs with guitar accompaniment prevalent in 19th century Vienna, as Lechner and Márquez play some of Schubert’s most beloved songs (including Die Nacht, Nacht und Träume and Der Leiermann), elegantly framing the album’s centrepiece: Schubert’s expansive ‘Arpeggione’ sonata. Many of Schubert’s songs were published in alternative versions with guitar during the composer’s lifetime; in some cases, the guitar version appeared even before the one for piano. Interspersed on the recording, as an echo and commentary to Schubert’s spirit and language, are the graceful Trois Nocturnes originally written for cello and guitar by Friedrich Burgmüller (1806–1874).  Die Nacht is issued as Lechner and Márquez embark on a European tour with concerts in Germany, Austria, France, Hungary and Romania.